
written by Graham Hancock
720 pages
published by The Disinformation Company
ISBN: 0-38566216-5
ISBN-13: 978-1932857849
reviewed by Michael Lohr
08.22.2008
In my opinion
Graham Hancock is the most important alternative archaeological/historical
writer of this day and age. He asks the questions that few other writers or
historians dare ask. His various books Underworld,
The Sign and the Seal, Talisman, Heaven’s Mirror and Fingerprints
of the Gods, all bestsellers, have set the standard for research and
paradigm shift thinking about human history. Supernatural is no exception. In fact, I believe Supernatural is the best book he’s
written yet.
He has
made a career of challenging conventional wisdom and seeking out hidden truths.
With Supernatural he tackles the
heady subjects of human evolution, Paleolithic cave art and shamanic rituals.
Sometime around 196,000 years ago the human species evolved to full anatomical
modernity. Even so, we advanced little along the road to civilization until
about 150,000 years later. We began to practice various forms of symbolic
cultural activity such as religion, art and communication. But it was only
about 40,000 years ago that we began to fully develop. Scientists call this the
greatest riddle in human history. It was at this point in time that we suddenly
developed everything that essentially makes us human. What was the mechanism
that pushed us down the path to civilization? What was the prime mover involved
that gave us language, art, religion and culture? These are just a few of the
questions that Graham Hancock asks in Supernatural.
Graham
does an in depth study of ancient cave paintings that exists in France, Spain
as well as in other regions of Europe and comes to the conclusion that they
were not just basic hunter/hunting magic ceremonial images. That in fact the
cave paintings and the intellectual expansion of humanity was the direct result
of our ancestors performing shamanic rituals with powerful, hallucinogenic
plants. The archaeological evidence backs up his assumption. Paleoanthropologist Dr David Lewis-Williams, author of The Mind in the Cave, discovered the
neuropsychological model for cave art and argued that such geometric shapes
that exist in Paleolithic cave art are actually entopic forms that are
commonplace in human neurology (just rub your eyes and you’ll see what I mean).
Hancock takes great concern for the rock art of the San, an unfortunately
extinct people of southern
Hancock
based his summation on Lewis-Williams theorems and on his own, vivid
experiences with a variety of hallucinogens such as Ayahuasca,
eboga and psilocybin mushrooms, which are commonly
used in shamanic ritual. It’s difficult to deny their conclusions. Hancock’s
central premise, first introduced by philosopher Henri Bergson
and writer Aldous Huxley, is that the human brain is
a receiver for consciousness rather than a creator of consciousness. Due to
receiver ability we are, while under hypnotic trance, able to visit other
realms and it was this ability that gave humanity the spark of culture and
creativity. Through this paradigm shifting process, religion was born.
Did you
know that
Hancock
also delves into the fascinating work of Dr. Rick Strassman
and his work on the spirit molecule. He explores the very real possibility that
in trance states we are actually seeing into a parallel existence. He
investigates medieval fairy lore and the UFO abduction phenomenon including the
possibility of hybrid babies being born in alternative realms.
Supernatural is a real mindbender indeed. This
book is Graham Hancock’s most important work to date. It is a must read for anyone with even a subtle
interest in religion, origins of humanity, ancient art, anthropology, etc. In fact,
is should be required reading everywhere.
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Michael Lohr is a professional journalist, outdoorsman,
treasure hunter and adventurer. His writing has appeared in such diverse
magazines as, Outside Magazine, Southern Living, Cowboys & Indians, Sailing
World, Caribbean Travel & Life, Canoe & Kayaking, Outdoor Life, and
Adventure Sports, to name a few. He
contributes regularly to Bluegrass
Unlimited magazine and Persimmon Hill,
the Journal of the