WEALTHOW:

HER TELLING OF BEOWULF

written by Ashley Crownover

published by Iroquois Press (December 2007)

Trade paperback, 208 pages

ISBN: 1596523913

ISBN-13: 978-1596523913

 

reviewed by Michael Lohr

08.22.2008

 

Rating: 4 stars ****

 

Ashley Crownover’s debut novel, Wealtheow: Her Telling of Beowulf, is a splendid achievement in historical fiction. Beyond the elegance of her writing style and storytelling ability, what see manages to accomplish is no small feat, especially for a debut novel. She breathes new life into a tale that, even in recent years, has been worked and reworked in various mediums. From Michael Crichton’s underappreciated Eaters of the Dead that was repackaged as The 13th Warrior for both the pulp paperback market and cinema to Seamus Heaney’s best selling Beowulf: a New Translation to Gerard Butler’s much maligned movie, Beowulf & Grendel to the most recent Paramount Pictures animation adaptation of the story, Beowulf is seemingly more popular than ever.

 

But what Ms. Crownover has achieved is to breathe a vibrant surge of life into an old dusty tale by providing a fresh prospective from the woman’s point of view and not just any serving maiden either. She tackles head on the Queen of the Danes, Wealtheow. But then again, whom else would you expect her write about? The prime female candidate through which to view the Beowulf saga, other than maybe Grendel’s mother Ginnar, would be Wealtheow. For it was Wealtheow, beyond all others, that was most affected by the mayhem. In the traditional poem, Wealtheow fulfilled the dutiful role of hostess, the holder of the golden cup. But here, Wealtheow’s role is greatly expanded and so it should be. The principal role of the matriarch in early Germanic/Nordic society was to encourage diplomatic relations and nurture social harmony. Her indemnification for reminding the king of his ruling obligations as well as setting an example of compassionate valor for her people to emulate was great admiration and respect of the citizenry. Wealtheow had to quickly ascertain her role; she had no choice.

 

Born of the Wulfing tribe to King Helm, Lord of the Helmings, Wealtheow had to grow up quickly. At a tender age she was betrothed to Hrothgar, King of the Danes in order to prevent a war between the tribes. She soon found herself in the unsettling role of “Peaceweaver” – a role that only she could accomplish, being the daughter of the one king and the wife of the other. But Ms. Crownover gives Wealtheow a life with purpose beyond just being a Dark Ages trophy wife whose sole aspiration it is to produce a male heir. Ms. Crownover imbues Wealtheow with a powerful resonance and verve. She is a special duality, at once gentle and feminine and yet, filled with strength and succor. Even in the darkest of days of the kingdom, she stands strong supporting Hrothgar and is faithful in her resolve as she deals with the sexual tension brought forth by the presence of Beowulf.

 

Ms. Crownover’s first person narration of Wealtheow’s life places the reader in her position so you see the darkening world through her eyes. This perspective gives the novel a very realistic sensibility. It’s as if you are gazing through a magical looking glass and witnessing the events unfold before you. This subtle, but effective storytelling mechanism allows the reader to immerse themselves into the characters. You are there with fingers crossed as the runes are cast forth. It allows you to feel the pain when Grendel attacks the meadhall and kills the first Geat. It causes you to experience the quickening of repulsion at the smell of burning flesh as funeral pyres cast an unholy glow upon the obsidian, night sky.

 

Wealtheow: Her Telling of Beowulf is saturated with rune lore, ancient Scandinavian folklore and Nordic mythology. Using these traditional cultural modalities Ms. Crownover paints an authentic spiritual landscape of the age. But also there is a certain reflection cast by both Wealtheow and Ginnar. They both seemingly represent diametrically opposite aspects of Nordic, and indeed ancestral Indo-European goddess traditions; the lovely, matronly mother and the deadly, ruthless hag. In fact, Ms. Crownover delegates the dual aspects of the maiden and mother to Wealtheow. However, she also gives a potent voice and indeed a glimmer of soul to Ginnar. She makes her more than just a sea hag, more than just a nameless monster. You feel empathy for her plight, for her longing of things past and for the life she once had. But she never allows you to forget that Ginnar is in fact a fallen being. That it was by her own choices that she lost her humanity.

 

When I spoke to Ms. Crownover, who is a Program Administrator for American Studies and Film Studies at Vanderbilt University, about Wealtheow: Her Telling of Beowulf, she confessed that she really enjoyed writing the book, but to her trepidation found that she had a peculiar fondness for writing those disembowelment and beheading scenes. Maybe this is an indication that there is a budding horror novelist within her somewhere beyond the literary veil. But make no mistake Wealtheow: Her Telling of Beowulf is indeed literature. Its historical literary fiction of the first magnitude, aesthetically pleasing and quite frankly, a damn fine read. I highly recommend it. Fans of Michael Chabon, Edward Rutherfurd and Steven Pressfield will love Wealtheow: Her Telling of Beowulf.