Withersin’s Damned Interview with:

 

B.A. Bosaiya

I am a self-taught, award-winning, internationally recognized and exhibited fine art photographer who specializes in large format photographs of unusual subjects. I enjoy finding the beauty in the overlooked and discarded, exploring the extraordinary world that is all around us every day. The world is still mysterious and full of surprises; I hope to help people rekindle that sense of wonder. My first book of photography Here There Be Dragons, available from Amazon.com and others, includes a foreword by photographic luminary and master printer Dr. Tim Rudman.

 

My artwork has put me in contact with people all over the globe whom I never would have known otherwise, and although I am a recluse by nature I welcome the chance to speak with others who have found enlightenment in the wonders of childhood imagination.

 

List published works:

Exhibitions

  • The Delaplaine Visual Arts Center, Maryland August – October 2008 (solo)
  • Lake George Arts Project – New York, July – August 2008 (solo)
  • Goodman Gallery, Laredo Center for the Arts, Laredo TX March – April 2008 (solo)
  • artspace, Richmond VA August 2007 (solo)
  • Pacific Northwest Center for Photography, Portland OR  July 2007 (solo)
  • Center for Fine Art Photography – DIA Invitational, Denver, CO May – July, 2007
  • Center for Fine Art Photography - Member's Invitational, Fort Collins CO Oct - Nov, 2006
  • SRO-Photo Gallery, Lubbock TX October 2006 (solo)
  • 12 12 Gallery, Richmond VA September - October, 2006
  • Island Arts, "Through the Lens", Rhode Island August 3-25, 2006
  • Center for Fine Art Photography - On The Edge, Fort Collins CO July - August 2006
  • 401 Projects, "Photograhy Now", New York June 24 - July 30, 2006
  • Greater Reston Arts Center "Languages of Silence", Reston, VA June – August 2006
  • Broadway Market Gallery, Seattle, WA June 2006 (solo)
  • King County Library System, WA  May 2006 (solo)
  • Elise Mankes Studio "Impermanence", Massachusetts April - May 2006
  • Center For Photography at Woodstock "Photography Now", New York April - May 2006
  • Barrett Art Center, New York March – April 006
  • OSU Art About Agriculture, Corvallis, Oregon March 2006
  • DangenArt – winner Nancie Mattice award, Nashville TN March – April 2006
  • DangenArt – Grand Prize winner Peek Through!, Nashville TN Feb – March 2006
  • Gallery 070, Vashon WA  February 2006 (solo)
  • Center for Fine Art Photography - 2005 Intl Exhibit, Fort Collins CO Nov – Dec 2005
  • Lake George Arts Festival "Zoo", Lake George NY Jul – Aug 2005

 

Publications

  • Here There Be Dragons (solo portfolio book), 2007
  • MAGNAchrom Issue 4, full portfolio plus essay, 2007
  • Flint Hills Review Issue 11, cover 2006
  • Shots Magazine Issue 94, full portfolio, 2006
  • World Book of Lith Printing - Tim Rudman (title page plus interior spread), 2006
  • Jaded Expressions (full portfolio), 2006
  • Wormwood - Tartarus Press (cover) 2006
  • Saffron and Brimstone – Dark Horse Press (cover), 2006
  • Shrouded by Darkness - Telos Press (cover), 2006
  • Capital Offenses – Literary Road (cover) 2006
  • BlueStem Press - FlintHills Review (featured artist) May 2006
  • MARY Journal - Saint Mary's College of California May 2006
  • International Journal of Black and White Photography (full portfolio), 2006
  • Ascent Aspirations poetry journal (portfolio), May 2006
  • Necropsy, May 2006
  • Outsider Ink Magazine (full portfolio), Spring Issue 2006
  • Large Format Journal (cover plus full portfolio), February 2006
  • Spartan Dog Magazine (cover plus full portfolio), issue 11 February 2006
  • Stationaery, issue 8 January 2006
  • Mad Hatter's Review, issue 4, Jan 2006
  • EssenDemme Magazine (full portfolio), issue 4, Jan 2006
  • FILE Magazine (full portfolio), 2006
  • Surreal Magazine (cover plus interior), issue 4, 2005
  • Thin Air Magazine literary journal, 2005
  • Phirebrush issue 21, 2004

 

Awards

  • Prix de la Photographie Paris – 2007 Honorable Mention
  • International Photo Awards (IPA) - 2006 Honorable Mention
  • President's Award - OSU Art About Agriculture, 2006
  • Photowork '06 - Barrett Art Center
  • Nancie Mattice Award for Emerging Artists - DangenArt, 2006
  • Grand Prize, Peek Through! - DangenArt, 2006
  • Creative Artistic Award of Excellence - National Photo Awards, 2005 annual

 

List website: www.bosaiya.com

 

How can we contact you? contact@bosaiya.com is the direct route but if you want a response I prefer actual written correspondence and respond best to that.

 

 

In your own words, define Withersin.

A fresh voice in an otherwise oversaturated market.

 

If you were a sideshow act, what would you be?

An old-fashioned curly-mustachioed strong man combined with The Tattooed Man, I look the part. You would have to get to know me better to hear the other combinations.

 

What is your greatest non-literary influence?

The natural world around me. Nothing else can compare or inspire. Every time I look around me I am in awe and wish that I were a poet because words fail me completely and I am left with only the atavistic feelings of our ancient primate ancestors as they looked to the sky with wonder. From the mind-numbing intensity of the sun rising over a mountain, spilling its liquid gold into the lake as fish jump and snap for their morning meal to the intimate mid-air dance of two houseflies as they swoop and buzz around the room avoiding the dust motes that rise in the warming air at magic hour when orange sunlight pours through the windows, I am never at a lack for inspiration, I just wish that my attempts at reverence of the world’s beauty weren’t so clumsy.

 

Describe your most irrational fear.

Of open water. My parents took me to see Jaws while vacationing in Montauk one summer when I was young. I’m not afraid of things I can see, sharks or whatever, but of what I can’t see. I recently went hand-to-tooth-and-spine against a four-foot pike that took away more of me than I did of it and fear never entered my mind, but making my way back across the lonely lake at dawn I was filled with uneasiness at the empty expanse of water around me.

 

How about your most guilty pleasure?

I brew my own chai from spices I purchase and mill myself, boiling down the mixture until the liquid is thick and strong. Then I drink it from a dainty little teacup and saucer with sugar and cream.

 

Name the most disturbing nursery rhyme/fairy tale you can recall.

I have been re-reading the original Grimm’s Fairy Tales and they are all beautifully horrific, filled with such violent and sexual imagery as to be downright shocking at times. Very little of today’s literature can hope to compare. The most bang-for-the-buck, in my mind, goes to the brief and horrible “Stubborn Child”, whose very brevity and anonymity touches the deepest fears in us all.

 

Do you eat meat?

Very infrequently. I am not opposed to it morally or religiously, it’s just not something that I eat regularly.

 

What were the skies like when you were young?

They went on forever, and they- the skies always had little fluffy clouds, and they were long and clear and there were lots of stars at night. And when it rained it would all turn, it- they were beautiful. The most beautiful skies as a matter of fact! The sunsets were purple and red and yellow and on fire and the clouds would catch the colors everywhere, that’s- it’s neat, because I used to look at them all the time when I was little, you don’t see that anymore.

 

Name your favorite garden tool.

It never occurred to me to name it before, how about Ferdinand?

 

Name your least favorite color, first job and worst job.

Anything bright and artificial, a newspaper route, that same newspaper route.

 

Favorite:  Author, Movie, Music Group, Song, and Quote.

It would be difficult to choose a favorite author; I enjoy the terse language of a good Hemingway as much as the ham-fisted prose of Mickey Spillane, the wildly vivid descriptiveness of Hunter S. Thompson and the mouth-watering detail of Thomas Mann. I mostly read non-fiction and Neil Stephenson’s articles are nothing short of brilliant.

 

Same with movies, how can I choose between the both equally tear inducing Atlantis by Luc Besson and Mel Brooks’ Blazing Saddles? or L’Aventurra over The Seven Samurai or The Asphalt Jungle? I do have a soft spot for Herschell Gordon Lewis and grindhouse movies in general, though, and think that the folks at Something Weird should be sainted or knighted, so let’s say my favorite is Blood Feast and be done with it, although Duck You Sucker! would have to be up there someplace.

 

I do enjoy Nick Cave and the Bad Seeds when it comes to musical inspiration, although with well over six thousand CDs in my collection it gets real hard to choose sometimes. I listen to a lot of classical, opera and jazz so the problem exponentiates. The Ecstacy of Gold is a piece that never fails to get my heart racing.

 

I don’t really keep quotes handy, the one that comes to mind is the wonderful headline “Legs cut off!” which you have to see in context to appreciate.

 

If you were a loaf of bread what kind would you be?

A loaf of freshly baked artisan bread.

 

Weirdest news you have read in your local newspaper:

 “Zombies invade Sumner!”

 

Why horror?

Horror is a wonderful “anything goes” super-genre with endless sub-categories and niches. The world is a cruel and terrible, as well as a kind and beautiful, place. Horror allows us to get under the surface where things are uncomfortable and dirty and all of our modern advancements fail. People who live in cities forget that there are still plenty of wild things out there in the world, some on the outskirts of their suburbs, which will drag you down and feed upon your meat or prick your skin and leave you bloated and rotting weeks later. Horror puts us in touch with that primal fear in a way that staring down a cougar or alligator does, but without the worrisome possibilities and change of clothing those entail.

 

Here's a photo. (seen on Interview main page)

“INEDIBLE NOT INTENDED FOR HUMAN FOOD”

You have 112 words. Go.

Obviously there is a strong likelihood of confusion for any roving bands of hungry post-apocalyptic survivors that might stumble across this truck in search of sustenance. But if it is not fit for humans to eat, then who, or what, will eat the contents? I’ve done a bit of traveling and I can tell you that there is nothing, and I do mean nothing, that some people won’t eat. It must be full of those whacky plastic imitation Chinese-food meals you see in display cases while waiting for a seat in your favorite restaurant, the one where everyone seems to get a seat before you no matter how well you tip.

 

 

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